July 5–8 School of Music: USC String Project Summer Camp. The USC String Project will offer its annual summer camp for students in grades 3–12 who are studying string music. Students will have daily group music instruction culminating with an afternoon concert July 8. The camp is open to all students who have completed one year of instruction. For information, call 803-777-9568 or send an e-mail to uscsp@mozart.sc.edu.
July 12–16 School of Music: Carolina Opera Experience, a day camp for children in grades 5–9, 10 a.m.– 4 p.m. The camp will include daily workshops with professional-level opera singers, directors, and designers, exploring the basics of creating characters with and through music, singing, and learning about set lighting and costume design. Ideal for young musicians, singers, and actors. For more information,
contact Ellen Schlaefer at 803-777-0058 or eschlaefer@mozart.sc.edu or go to the Opera at USC Web site at www.music.sc.edu/ea/Opera/index.html.
From the USC TIMES.
Showing posts with label events concert SOM. Show all posts
Showing posts with label events concert SOM. Show all posts
Wednesday, June 23, 2010
Sunday, June 13, 2010
Dark in the Song
Dark in the Song Performs at 21 Sounds Series
| Date: | Wednesday, June 16, 2010 |
| Time: | 7:30pm - 9:00pm |
| Location: | The White Mule |
| Street: | 1540 Main St. |
| City/Town: | Columbia, SC |
What: 21 Sounds concert series
Who: Dark in the Song contemporary bassoon collective
When: Wednesday, June 16 (7:30-9 p.m.)
Where: The White Mule (1540 Main St., 661-8199)
Why: To present contemporary classical music in a nontraditional venue
How much: $5
A bassoon played through guitar effects pedals? A piece for bassoon and ghetto blaster? Contemporary classical music in a rock club?
The answer to all of the above — absolutely.
Fresh off the successful launch of the 21 Sounds series in April — at which a packed crowd came out to hear locally composed music at a nontraditional venue, The White Mule — the series presents its second installment on Wednesday, June 16.
On the bill: five world-class bassoonists who together make up Dark in the Song. Among them are Michael Harley of Alarm Will Sound, a leading new music ensemble based in New York City; and Rachael Elliott of the indie classical group Clogs.
On the program: exciting works from Pulitzer Prize-winning composer David Lang (Press Release, 1991), Dutch "avant-pop" composer Jacob Ter Veldius and an unofficial world premiere from Baltimore-based microtonal composer David Smooke. Also on the program are works by local composers Tayloe Harding (dean of the USC School of Music) and George Fetner (whose Black Lion features guitar effects pedals and was performed to great acclaim at the first 21 Sounds concert in April).
Saturday, June 12, 2010
*FREE* Southeastern Piano festival events
June 14
■ Masterclass with Jacqueline Bei Hua Tang of China, 10 a.m., School of Music Recital Hall. Free and open
to the public
■ Piano Portrait, “Ruins and Eagles’ Feathers,” with John Kenneth Adams, 4:30 p.m., School of Music Recital Hall. Free and open to the public. In his new Piano Portrait, created especially for the Southeastern Piano Festival, Adams, a USC emeritus professor of piano and piano literature, contrasts the world of Frédéric Chopin with that of his exact contemporary, Robert Schumann.
June 15
■ Apprenticeship Program, 10 a.m. and 1:30 p.m., in conjunction with the Conductors Institute of South Carolina, featuring Rachmaninoff’s Concerto No. 2, with Matthew Griswold and Ivan Moshchuk, Koger Center. Free and open to the public.
June 16
■ Apprenticeship Program, 10 a.m. and 1:30p.m., in conjunction with the Conductors Institute of South Carolina, featuring Rachmaninoff’s Concerto No. 2, with Matthew Griswold and Ivan Moshchuk, Koger Center. Free and open to the public.
■ Outreach Concert, 4 p.m., Still Hopes Episcopal Home, featuring festival participants. Free.
June 17
■ Marion Stanley Tucker Guest Lecture, featuring Jacqueline Bei Hua Tang, a professor of piano at the Shanghai Conservatory of Music in China, 4:30 p.m., School of Music Recital Hall. Free and open to the public.
June 18
■ Arthur Fraser International Concerto Competition, 10 a.m.–9 p.m., School of Music Recital Hall. Free and open to the public.
June 19
■ Secrets of the Trade: Masterclass with Tian Ying, 10 a.m.– noon, School of Music Recital Hall. Free and open to the public.
■ Secrets of the Trade: Masterclass with Oxana Yablonskaya, 3–5 p.m., School of Music Recital Hall. Free and open to the public.
■ Arthur Fraser International Concerto Competition Winners’ Concert, Closing Ceremony, and Reception, 7 p.m., School of Music Recital Hall. Free and open to the public.
■ Masterclass with Jacqueline Bei Hua Tang of China, 10 a.m., School of Music Recital Hall. Free and open
to the public
■ Piano Portrait, “Ruins and Eagles’ Feathers,” with John Kenneth Adams, 4:30 p.m., School of Music Recital Hall. Free and open to the public. In his new Piano Portrait, created especially for the Southeastern Piano Festival, Adams, a USC emeritus professor of piano and piano literature, contrasts the world of Frédéric Chopin with that of his exact contemporary, Robert Schumann.
June 15
■ Apprenticeship Program, 10 a.m. and 1:30 p.m., in conjunction with the Conductors Institute of South Carolina, featuring Rachmaninoff’s Concerto No. 2, with Matthew Griswold and Ivan Moshchuk, Koger Center. Free and open to the public.
June 16
■ Apprenticeship Program, 10 a.m. and 1:30p.m., in conjunction with the Conductors Institute of South Carolina, featuring Rachmaninoff’s Concerto No. 2, with Matthew Griswold and Ivan Moshchuk, Koger Center. Free and open to the public.
■ Outreach Concert, 4 p.m., Still Hopes Episcopal Home, featuring festival participants. Free.
June 17
■ Marion Stanley Tucker Guest Lecture, featuring Jacqueline Bei Hua Tang, a professor of piano at the Shanghai Conservatory of Music in China, 4:30 p.m., School of Music Recital Hall. Free and open to the public.
June 18
■ Arthur Fraser International Concerto Competition, 10 a.m.–9 p.m., School of Music Recital Hall. Free and open to the public.
June 19
■ Secrets of the Trade: Masterclass with Tian Ying, 10 a.m.– noon, School of Music Recital Hall. Free and open to the public.
■ Secrets of the Trade: Masterclass with Oxana Yablonskaya, 3–5 p.m., School of Music Recital Hall. Free and open to the public.
■ Arthur Fraser International Concerto Competition Winners’ Concert, Closing Ceremony, and Reception, 7 p.m., School of Music Recital Hall. Free and open to the public.
Tuesday, June 8, 2010
June summer camps offered by the School of Music
June 13–19 School of Music: Southeastern Piano Festival (SEPF). The festival provides training for aspiring young pianists and offers a showcase of piano performances with celebrated and new artists. Twenty young pianists will receive daily private lessons with University faculty, participate in master classes with a guest artist, and gain experience performing in a professional concert setting. Each day concludes with an evening performance by a guest artist, faculty members, or festival students.
All events are open to the public and many are free. For tickets to evening concerts, call 803-576-5763. For more information, go to http://sepf.music.sc.edu.
June 20–25 School of Music: Band Camp. For students in grades 7–12. The camp includes instruction for drum major, marching percussion, symphony band, and symphonic percussion. For more information, call the Band Office at 803-777-4278, or send an e-mail to USCBand@mozart.sc.edu.
June 20–25 School of Music: Carolina Summer Music Conservatory. For students in grades 9–12. School of Music faculty will lead students in an intensive, one-week session that focuses on individual performance and chamber music. Activities include master classes with Carolina faculty and other professional musicians, as well as chamber music coaching and private lessons. Students will rehearse and perform solo works with professional accompanists and will attend music events featuring conservatory faculty members.
Evening concerts featuring faculty are free and open to the public. For more information, contact Clifford
Leaman at 803-576-5893 or cleaman@mozart.sc.edu.
From the USC TIMES.
All events are open to the public and many are free. For tickets to evening concerts, call 803-576-5763. For more information, go to http://sepf.music.sc.edu.
June 20–25 School of Music: Band Camp. For students in grades 7–12. The camp includes instruction for drum major, marching percussion, symphony band, and symphonic percussion. For more information, call the Band Office at 803-777-4278, or send an e-mail to USCBand@mozart.sc.edu.
June 20–25 School of Music: Carolina Summer Music Conservatory. For students in grades 9–12. School of Music faculty will lead students in an intensive, one-week session that focuses on individual performance and chamber music. Activities include master classes with Carolina faculty and other professional musicians, as well as chamber music coaching and private lessons. Students will rehearse and perform solo works with professional accompanists and will attend music events featuring conservatory faculty members.
Evening concerts featuring faculty are free and open to the public. For more information, contact Clifford
Leaman at 803-576-5893 or cleaman@mozart.sc.edu.
From the USC TIMES.
Thursday, June 3, 2010
25th-annual Conductors Institute to take stage at the Koger Center
For 25 years, the Conductors Institute of South Carolina has been on the “must do” list for young aspiring and experienced conductors alike.
The Conductors Institute will be open daily to the public for observation, beginning June 7 from 9 a.m. to noon (fellows conduct) and from 1:30 to 4 p.m. (associates conduct) at the Koger Center. No sessions will be held June 13.
The Institute for Fellows and Associates will be held from June 6 to 19. Directed by Donald Portnoy, conductor and music director of the USC Symphony Orchestra, the program is for conductors with moderate to advanced conducting skills. Fellows and associates study with Portnoy and guest conductors and composers.
Both fellows and associates are guaranteed podium time every day. Fellows work with the institute ensemble during morning sessions. Associates work with a chamber orchestra in afternoon sessions. On Friday afternoons, both groups work with a full orchestra. The Discovery Program will be held from June 9 to 19.
Directed by Manuel Alvarez, former dean of the School of Music, the program is for conductors with limited conducting experience. Each week, participants will work with a string quartet in afternoon conducting sessions. Participants are also required to observe morning sessions and the late afternoon lecture series.
Other guest conductors and composers are Libby Larsen, composer (string orchestra session, June 7–10); Peter Jaffe, conductor (string orchestra session, June 7–10); Dick Goodwin, composer (chamber orchestra session, June 11–15); Guillermo Scarabino of Argentina, conductor (chamber orchestra session, June 11–15); Samuel Jones, composer/ conductor (orchestra session, June 16–19); and Paul Vermel, conductor (orchestra session, June 16–19).
The Conductors Institute draws participants from the United States and numerous foreign countries. Students
receive tutorials from conductors and composers who have experience in the commercial, academic, and professional worlds of music.
The guest conductors and composers are aware of what it takes to succeed in a tough, competitive field, and they are willing to share their knowledge and expertise. The Conductors Institute has been successful for so many years because it offers daily podium time to every individual in the program. The institute also focuses on the details of conducting and opportunities for conductors to enhance their skills and achieve a greater command of their orchestral forces.
Veteran conductors offer constructive criticism and encouragement. There are no mirrors and no recorded music. Each day, as their peers observe, conductors have the opportunity to conduct professional musicians who know the scores intimately. At the end of each day, conductors receive a video of their performance to study and to assist them in preparing for another day at the podium.
For more information, go to www.conductorsinstitute.com or e-mail Charlene Rackley at charl@mailbox.sc.edu.
From the USC TIMES.
For 25 years, the Conductors Institute of South Carolina has been on the “must do” list for young aspiring and experienced conductors alike.
The Conductors Institute will be open daily to the public for observation, beginning June 7 from 9 a.m. to noon (fellows conduct) and from 1:30 to 4 p.m. (associates conduct) at the Koger Center. No sessions will be held June 13.
The Institute for Fellows and Associates will be held from June 6 to 19. Directed by Donald Portnoy, conductor and music director of the USC Symphony Orchestra, the program is for conductors with moderate to advanced conducting skills. Fellows and associates study with Portnoy and guest conductors and composers.
Both fellows and associates are guaranteed podium time every day. Fellows work with the institute ensemble during morning sessions. Associates work with a chamber orchestra in afternoon sessions. On Friday afternoons, both groups work with a full orchestra. The Discovery Program will be held from June 9 to 19.
Directed by Manuel Alvarez, former dean of the School of Music, the program is for conductors with limited conducting experience. Each week, participants will work with a string quartet in afternoon conducting sessions. Participants are also required to observe morning sessions and the late afternoon lecture series.
Other guest conductors and composers are Libby Larsen, composer (string orchestra session, June 7–10); Peter Jaffe, conductor (string orchestra session, June 7–10); Dick Goodwin, composer (chamber orchestra session, June 11–15); Guillermo Scarabino of Argentina, conductor (chamber orchestra session, June 11–15); Samuel Jones, composer/ conductor (orchestra session, June 16–19); and Paul Vermel, conductor (orchestra session, June 16–19).
The Conductors Institute draws participants from the United States and numerous foreign countries. Students
receive tutorials from conductors and composers who have experience in the commercial, academic, and professional worlds of music.
The guest conductors and composers are aware of what it takes to succeed in a tough, competitive field, and they are willing to share their knowledge and expertise. The Conductors Institute has been successful for so many years because it offers daily podium time to every individual in the program. The institute also focuses on the details of conducting and opportunities for conductors to enhance their skills and achieve a greater command of their orchestral forces.
Veteran conductors offer constructive criticism and encouragement. There are no mirrors and no recorded music. Each day, as their peers observe, conductors have the opportunity to conduct professional musicians who know the scores intimately. At the end of each day, conductors receive a video of their performance to study and to assist them in preparing for another day at the podium.
For more information, go to www.conductorsinstitute.com or e-mail Charlene Rackley at charl@mailbox.sc.edu.
From the USC TIMES.
Saturday, May 29, 2010
Want to join a chorus this summer?
School of Music: Summer I and Summer II Chorus.
The choruses are open to USC students, faculty, and staff and to members of the greater Columbia community. The registration fee is $10 for non-students.
Rehearsals for Summer I Chorus begin June 1. Rehearsals will be held from 7:30 to 9:30 p.m. Tuesday and Thursday in the School of Music, Room 006. Joseph Modica, assisted by doctoral student Ben Ebner, is the conductor. The chorus will perform Beethoven’s Mass in C. Summer Chorus I will present concerts at 4 p.m. June 27 and 7:30 p.m. June 29 in the School of Music Recital Hall. The concerts are free and open to the public.
Summer II Chorus, conducted by Larry Wyatt and assisted by doctoral student Damion Womack, will begin rehearsals of Honegger’s King David July 6. Rehearsals will be held from 7:30 to 9:30 p.m. Tuesday and Thursday in the School of Music, Room 006. Summer Chorus II will present concerts at 4 p.m. Aug. 1 and 7:30
p.m. Aug. 3 in the School of Music Recital Hall.
For more information, call 7-5369 or send an e-mail to sbeardsley@mozart.sc.edu.
The choruses are open to USC students, faculty, and staff and to members of the greater Columbia community. The registration fee is $10 for non-students.
Rehearsals for Summer I Chorus begin June 1. Rehearsals will be held from 7:30 to 9:30 p.m. Tuesday and Thursday in the School of Music, Room 006. Joseph Modica, assisted by doctoral student Ben Ebner, is the conductor. The chorus will perform Beethoven’s Mass in C. Summer Chorus I will present concerts at 4 p.m. June 27 and 7:30 p.m. June 29 in the School of Music Recital Hall. The concerts are free and open to the public.
Summer II Chorus, conducted by Larry Wyatt and assisted by doctoral student Damion Womack, will begin rehearsals of Honegger’s King David July 6. Rehearsals will be held from 7:30 to 9:30 p.m. Tuesday and Thursday in the School of Music, Room 006. Summer Chorus II will present concerts at 4 p.m. Aug. 1 and 7:30
p.m. Aug. 3 in the School of Music Recital Hall.
For more information, call 7-5369 or send an e-mail to sbeardsley@mozart.sc.edu.
Thursday, April 22, 2010
Alumni Double Feature
Come see two of USC's alumni in recital!Katie Thigpen and Russ Zokaites will be giving recitals in South Carolina next week. It has been almost two years since they have performed at USC. Currently they are both studying at the University of Cincinnati College-Conservatory of Music. Katie is currently in the first year of her DMA and Russ is finishing the second year of his masters degree. These recitals are a chance for them to perform their degree required recitals one more time.
Wednesday, April 28, 2010
6:00pm - 9:00pm
USC School of Music Recital Hall
Russ Zokaites, Bass Trombone
Aimee Fincher, Piano
Etoile Des Profounders (1999) Naulais
A Quick Trip with Lots of Baggage* (2010) McComas
Dona Nobis Pacem (1977) Fetter
Concerto for Bass Trombone (2006) Bourgeois
Katie Thigpen, Trombone
Winifred Goodwin, Piano
Doolallynastcis by Brian Lynn
Sang til Lotta by Jan Sandstrom
Piece in Eb minor by J. Guy Ropartz
Sonata by Donald White
For more information, visit here.
Wednesday, April 21, 2010
Music News
An Evening of Chamber Music
Date: April 21, 2010
Time: 7:30 PM
Building: School of Music (813 Assembly St., next to the Koger Center for the Arts)
Room: Recital Hall, rm. 206
Event Admission: Free
Contact: 803-777-2480
Paul McCartney takes his catalog from EMI to a new label. Read more here...
`Cloud' music plans no longer just pie in the sky. Read more here...
Great article on TV show theme songs.
How loud do you listen to your iPod? This article suggests turning down the volume!
Date: April 21, 2010
Time: 7:30 PM
Building: School of Music (813 Assembly St., next to the Koger Center for the Arts)
Room: Recital Hall, rm. 206
Event Admission: Free
Contact: 803-777-2480
Paul McCartney takes his catalog from EMI to a new label. Read more here...
`Cloud' music plans no longer just pie in the sky. Read more here...
Great article on TV show theme songs.
How loud do you listen to your iPod? This article suggests turning down the volume!
Thursday, March 25, 2010
Abigail Birling Masters Piano Recital
Come see Music Library student employee Abby Birling in recital!
From her facebook event:
Time: 5:30pm - 6:30pm
Location: USC School of Music Recital Hall
From her facebook event:
Scarlatti: Three SonatasDate: Tuesday, March 30, 2010
Mendelssohn: Fantasy in F-sharp minor
Ravel: Jeux d'eau
Schumann: Sonata in G minor
First recital in five years! Guaranteed better than ever before!
Time: 5:30pm - 6:30pm
Location: USC School of Music Recital Hall
Thursday, February 11, 2010
Chamber Innovista Concert
Chamber Innovista Presents World Premiere
Chamber Innovista Concert Sunday, February 14 3:00 PM Off Campus - 300 Senate Street Venue
Tayloe Harding, dean of the School of Music will premiere “Songs of Love (2010).” It contains two parts – “Paul to the Corinthians – Agape” and “Inmost Hearts – Romantic,” which was commissioned by Dr. William “Ted” Moore, vice president for finance and planning and a member of the Friends of the School of Music.
Performing, will be Tina Stallard, soprano; Jessica Leeth, flute; and Christopher Berg, guitar
Also on the program:
● “Dover Beach for Baritone and String Quartet, Op. 3” by Samuel Barber, performed by Jacob Will on baritone and the USC Graduate String Quartet ● “The Summer Knows” (1971) by Michel Legrand (arr. by Bert
Ligon)
● “Cabaña Cubano” (2001) by Bert Ligon with Ligon on piano, William Terwilliger and Micah Gangwer on violin, Constance Gee on viola, Robert Jesselson on cello and Craig Butterfield on double bass.
The concert will end with “Terzetto for Oboe, Bassoon and Piano, Op.
22” by Theodore Lalliet, with Rebecca Nagel on oboe, Peter Kolkay on bassoon and Lynn Kompass on piano.
For more information on the Chamber Innovista series and to reserve tickets, call 803-777-4280.
Chamber Innovista Concert Sunday, February 14 3:00 PM Off Campus - 300 Senate Street Venue
Tayloe Harding, dean of the School of Music will premiere “Songs of Love (2010).” It contains two parts – “Paul to the Corinthians – Agape” and “Inmost Hearts – Romantic,” which was commissioned by Dr. William “Ted” Moore, vice president for finance and planning and a member of the Friends of the School of Music.
Performing, will be Tina Stallard, soprano; Jessica Leeth, flute; and Christopher Berg, guitar
Also on the program:
● “Dover Beach for Baritone and String Quartet, Op. 3” by Samuel Barber, performed by Jacob Will on baritone and the USC Graduate String Quartet ● “The Summer Knows” (1971) by Michel Legrand (arr. by Bert
Ligon)
● “Cabaña Cubano” (2001) by Bert Ligon with Ligon on piano, William Terwilliger and Micah Gangwer on violin, Constance Gee on viola, Robert Jesselson on cello and Craig Butterfield on double bass.
The concert will end with “Terzetto for Oboe, Bassoon and Piano, Op.
22” by Theodore Lalliet, with Rebecca Nagel on oboe, Peter Kolkay on bassoon and Lynn Kompass on piano.
For more information on the Chamber Innovista series and to reserve tickets, call 803-777-4280.
Tuesday, February 9, 2010
From Facebook
Columbia Baroque Soloists
Please join us for an afternoon of musical interludes by the Columbia Baroque Soloists, with seating at dressed tables, delicious hors d'oeuvres, sparkling juice and chocolates, and a "pleasures and treasures" silent auction--all to benefit South Carolina's only Baroque music ensemble. Tickets $25. February 14, 4:00, Shandon United Methodist Church.
Please join us for an afternoon of musical interludes by the Columbia Baroque Soloists, with seating at dressed tables, delicious hors d'oeuvres, sparkling juice and chocolates, and a "pleasures and treasures" silent auction--all to benefit South Carolina's only Baroque music ensemble. Tickets $25. February 14, 4:00, Shandon United Methodist Church.
Friday, December 4, 2009
Recital
Come out and support Music Library employee Andre North tomorrow afternoon at 4 PM. He'll be giving his senior saxophone recital in the recital hall. For more information, visit the School of Music's event calendar.
Saturday, November 28, 2009
Bela Fleck
Are you a fan of Bela Fleck and the Flecktones?
On Monday, November 30th, you can attend a FREE masterclass with Bela and the Flecktones from 2:00-4:00 in the School of Music. This event is open to the public.
Stay tuned for more details!
On Monday, November 30th, you can attend a FREE masterclass with Bela and the Flecktones from 2:00-4:00 in the School of Music. This event is open to the public.
Stay tuned for more details!
Wednesday, November 25, 2009
Tuesday, December 1
On Tuesday, December 1st, you'll hear back-to-back concerts in the School of Music's recital hall by Music Library employees Kimberlee Turnbough (piano) and Luis Mercado (cello).
Kimberlee's concert starts at 4:00 PM, and Luis's concert starts at 5:30. This website has more information.
Please come out and support the Music Library's student employees!
Kimberlee's concert starts at 4:00 PM, and Luis's concert starts at 5:30. This website has more information.
Please come out and support the Music Library's student employees!
Tuesday, November 17, 2009
SC Double Reed Day
Please pass along to any friends, students, or relatives that play a double reed instrument:
South Carolina Double Reed Day
Saturday, November 21, 2009
Join us Saturday, November 21, 2009 for the South Carolina Double Reed Day at the University of South Carolina School of Music. Clinicians Rebecca S. Nagel, oboe, and Peter Kolkay, bassoon, will host a day of activities for double reed players of all ages and levels.
Activities include a recital by Profs. Kolkay and Nagel, master classes, reed classes, and a double reed ensemble performance by participants. Double reed repair specialist Bruce McCall will be available for free instrument adjustments, minor repairs, and major repair consultation. New this year are presentations by Bruce McCall on oboe and bassoon instrument maintenance. Several music vendorswill also have items and music for sale.
On a personal note, I've studied with Dr. Nagel and she is just fantastic. I would say that both Drs. Nagel and Kolkay are in the top 3 (oboists and bassoonists, respectively) that I've ever heard perform.
Visit this site for more information and registration.
South Carolina Double Reed Day
Saturday, November 21, 2009
Join us Saturday, November 21, 2009 for the South Carolina Double Reed Day at the University of South Carolina School of Music. Clinicians Rebecca S. Nagel, oboe, and Peter Kolkay, bassoon, will host a day of activities for double reed players of all ages and levels.
Activities include a recital by Profs. Kolkay and Nagel, master classes, reed classes, and a double reed ensemble performance by participants. Double reed repair specialist Bruce McCall will be available for free instrument adjustments, minor repairs, and major repair consultation. New this year are presentations by Bruce McCall on oboe and bassoon instrument maintenance. Several music vendorswill also have items and music for sale.
On a personal note, I've studied with Dr. Nagel and she is just fantastic. I would say that both Drs. Nagel and Kolkay are in the top 3 (oboists and bassoonists, respectively) that I've ever heard perform.
Visit this site for more information and registration.
Wednesday, November 4, 2009
Previn concert
Chamber Innovista Series: Concert #1 - André Previn Tribute Concert
André Previn (b. 1929) Tribute Concert
Trio for Oboe, Bassoon and Piano (1994)
Rebecca Nagel, oboe; Peter Kolkay, bassoon; Lynn Kompass, piano
Tango, Song and Dance for Violin and Piano (1998)
William Terwilliger, violin; Marina Lomazov, piano
Giraffes Go to Hamburg (2000)
Janet Hopkins, mezzo-soprano; Jennifer Parker-Harley, alto flute; Charles Fugo, piano
Peaches for Flute and Piano (1978)
Jennifer Parker-Harley, flute; Lynn Kompass, piano
Four Outings for Brass (1974)
James Ackley, trumpet; John Bryant, trumpet; Robert Pruzin, horn; Brad Edwards, trombone; Ronald Davis, tuba
40 Below (1954)
Claudia (1954)
Porterhouse (1954)
Bryson Borgstedt, alto saxophone; Clifford Leaman, tenor saxophone; Douglas Graham, baritone saxophone; Gordon (Dick) Goodwin, trumpet; Kevin Jones, trombone; Craig Butterfield, double bass; Jim Hall, drums; Bert Ligon, piano and guitar
USC students will be allowed to get one free ticket for the Previn concert this Thursday. They will be available in the music office today through early afternoon Thursday.
André Previn (b. 1929) Tribute Concert
Trio for Oboe, Bassoon and Piano (1994)
Rebecca Nagel, oboe; Peter Kolkay, bassoon; Lynn Kompass, piano
Tango, Song and Dance for Violin and Piano (1998)
William Terwilliger, violin; Marina Lomazov, piano
Giraffes Go to Hamburg (2000)
Janet Hopkins, mezzo-soprano; Jennifer Parker-Harley, alto flute; Charles Fugo, piano
Peaches for Flute and Piano (1978)
Jennifer Parker-Harley, flute; Lynn Kompass, piano
Four Outings for Brass (1974)
James Ackley, trumpet; John Bryant, trumpet; Robert Pruzin, horn; Brad Edwards, trombone; Ronald Davis, tuba
40 Below (1954)
Claudia (1954)
Porterhouse (1954)
Bryson Borgstedt, alto saxophone; Clifford Leaman, tenor saxophone; Douglas Graham, baritone saxophone; Gordon (Dick) Goodwin, trumpet; Kevin Jones, trombone; Craig Butterfield, double bass; Jim Hall, drums; Bert Ligon, piano and guitar
USC students will be allowed to get one free ticket for the Previn concert this Thursday. They will be available in the music office today through early afternoon Thursday.
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